Urban Decay 24/7 Glide On Shadow Pencils Spring 2011

Urban Decay has just announced the newest member of the 24/7 family: the 24/7 Glide On Shadow Pencil. The 12 shades of waterproof eyeshadow are new for Spring 2011 and I have them to review, so I'm going to do my best to show you how pretty they are!

Like their eyeliner counterparts, these come in pencil form with a shiny silver cap. They're chubby pencils, about twice the diameter of a 24/7 eyeliner. They are actual pencils (not twist-up/automatic) so will need to be sharpened, but if you have the Urban Decay Grindhouse sharpener, they fit perfectly in the large side.


The shades are:

Barracuda, black with silver glitter.



Clash, a bright aqua blue with a hint of green, iridescent sparkle and a subtle purple sheen.

Clinic, a medium blue-toned emerald green with shimmer and subtle silver sparkle.


Delinquent, an amazing jeweltone purple with iridescent sparkle.



Lit, a light bronzy gold shimmer.



Mercury, a grey-silver shimmer.


Midnight Cowboy, a light peachy-beige gold with silver microglitter, just like the powder eyeshadow.


Morphine, a light lilac purple with blue duochrome and shimmer.


Narc, a mossy, olivey yellow-toned green shimmer.




Rehab, a light brown/taupe shimmer.




Sin, a delicate champagne shimmer.



Wasteland, a chocolate brown shimmer.

And, on my arm, applied straight from the tube, no base:

Sin, Midnight Cowboy, Lit, Morphine. If you enlarge this, you'll be able to see the gorgeous glitter in Midnight Cowboy. Also note how awesome and glowy Morphine looks. It has really strong blue iridescence so it looks like it's glowing blue. It's amazing.


Delinquent, Clash, Clinic, Narc. I tried to capture the sparkle in these, you may need to view it full size to see it. Delinquent is incredible, look at that rich purple color and all that electric purple shimmer in it!



Mercury, Barracuda, Wasteland, Rehab. Barracuda really stands out here, doesn't it? I love that glitter. And I'm not sure if you can see it very well, but Rehab has a really pretty reddish-gold duochrome sheen to it. It's subtle, but when you catch it just right, it's so pretty.

The texture of these pencils is really similar to the 24/7 eyeliner. They're soft, silky and extremely smooth. They really do glide on, no tugging or skipping. They're very opaque and pigmented and you really don't need more than one or two swipes of color.

You can apply them as eyeliner or eyeshadow. You'd think with such a chubby pencil, you wouldn't be able to get a nice line, but that's not the case. The thickness of the tip actually makes a really even line that isn't too thick. If you prefer a super thin line, you can always sharpen the tip before using it to line.

I've been testing them out over the past week to see how they hold up, and these are a few of the ways I've used them:

(All of these looks use Too Faced Shadow Insurance as a base.)

This is Lit on the lid and on the lower lashline, a green Anastasia shadow in the crease, Delinquent as liner and a tiny bit of Clinic on the outer edge of the lower lashline. Isn't Delinquent amazing?





This is a silvery smoky eye using Lap Dance and Stilletto from the Too Faced Naked Eye palette and Urban Decay Delinquent 24/7 shadow as eyeliner. Seriously... just look at that purple! It's so awesome! I can't get enough of it.




This is Morphine on the lid with Kat Von D Prague (from the Truth palette) in the crease and on the lower lashline and MAC Blacktrack Fluidline as liner. Morphine has that amazing blue glow that I love all by itself, but it does something cool when you layer with it. When other shadows are layered over Morphine, they become duochrome! Prague is a matte formula, but you can see in this picture that it takes on a red pearl duochrome effect everywhere it touches Morphine.

Now that I've used these a few times, I have a few observations.

First and foremost, when they say 24/7, they mean it! This is by far the longest wearing eyeshadow I've ever used. At first I was afraid that they'd crease due to the creamy texture, but that is absolutely not the case. They are bulletproof. No amount of rubbing or sweating or crying or rain will make these run or crease. Once they're on, they're on. They're so hardcore that they're even a little hard to remove- they don't come off easily with soap and water. I'd recommend an oily makeup remover to take these off- I use pure jojoba oil.

Because of this long-wear formula, you have to work quickly. They set extremely fast. Faster than the 24/7 pencils. Because they set so fast and don't budge when they're dry, you can't really blend them. I've tried and failed. There's literally no time to try to smudge your lines or blend out the colors, and if you try to blend after they're starting to set, it causes some uncomfortable tugging on the lid. Lightning fast. That's why I'm sticking to using these as a lid color or a liner.

The slight tackiness/stickiness (disappears after a few seconds) of these when they're freshly applied makes them a great shadow base. You can lay down a base of 24/7 and then pat your powder shadow on top while the 24/7 is still sticky to intensify the colors and smudge/crease/fade proof them. Also makes a good base for glitter if you work quick enough!

These would definitely be ideal if you're a swimmer or for a trip to the beach since they're waterproof and they don't melt. One color as a lid color, another color as liner and some waterproof mascara. Pool-proof makeup.

Besides being totally waterproof and crazy long wearing, another advantage of the 24/7 Glide On Shadow is that there's no glitter fallout. This is especially pleasing to me, as I've had a love-hate relationship with Urban Decay's glitter shadows. I am extremely happy that they've made Midnight Cowboy into a pencil. In pencil form, you can enjoy all the glitter in the iconic Midnight Cowboy without it ending up all over your face. The glitter stays on your eyelids and doesn't budge. Very, very happy about this.

I'm someone who never uses cream or liquid shadows because they're a pain, but these have changed my mind. They're creamy but they don't crease! They're easy to apply- just scribble all over your eyelid and you're done. They make nice, bold, even lines as eyeliner and they stay on all day. They're not really blendable, so I personally can't use them as a crease color, but as a lid color and a liner, they're great.

My top picks? Delinquent and Morphine are my must-haves from this collection. Delinquent is the purple pencil I've been searching for all my life. It is pigmented, sparkly and very obviously purple. Morphine is just insanely cool and you know I can't resist a duochrome. Midnight Cowboy is another top pick because it's a perfect neutral lid color and unlike the powder version, the pencil has no glitter fallout. Mercury is also great for an extremely fast, easy smoky eye look.

All the colors are gorgeous, vibrant and sparkly but I have a soft spot for purples and glitter. I really hope they do more glitter shades! I'm hoping for the old version of Oil Slick with the rainbow glitter. I'd also love to see SWF, Goddess, Kiddie Pool, Uzi and the other Midnight shades in pencil form. One can dream...

Have you tried these? I want to know what your experience with them was.

They're available now on Urban Decay's website, Sephora and Ulta.

(These were sent to me for review.)

Playing with China Glaze Crackle Glaze again...

I did this mani that I really hated, but I didn't feel like taking it off and starting over. No matter what I layered over it, I still hated it... So I figured, why not add one more layer just to see what it looks like? I didn't necessarily love what I ended up with, but it was at least better. I photographed the evidence:


Here's me playing with China Glaze Fault Line and Broken Hearted. I don't remember everything it's layered over, but it included Milani Magenta Metal as the base and Sally Hansen HD in Byte on top of everything. I liked the subtle crackle effect of Fault Line with little glints of duochrome sparkle from Byte peeking through. Fault Line still doesn't crack as well as the other shades, but I did get it to crackle more this time by applying it over completely dry polish and waiting 5 minutes before applying topcoat.



This one I actually liked. It's China Glaze Lightning Bolt over the random pink polish mess. I love the way the glass fleck sparkles in Byte shine through the cracks of the white polish. White crackle is really neat. I want to do it over neon yellow... think I'll try that soon.


So, there's that. Just thought I'd share a few more layering combinations with the crackles. I'm still a bit obsessed with crackle. I don't think I've done more than one or two manis in the past month that haven't had crackle on them...

Anna Popplewell

Anna Katherine Popplewell (born 16 December 1988) is an English actress. She is best known for her role as Susan Pevensie in The Chronicles of Narnia film series. Popplewell, eldest of three children, is the daughter of Andrew Popplewell and Dr. Debra Lomas, an immunologist. She has two younger actor siblings: Lulu Popplewell and Freddie Popplewell, who starred as Michael Darling in the movie Peter Pan. Her paternal grandfather, Sir Oliver Popplewell, is a distinguished former judge. She attended North London Collegiate School and was Head Girl 2006–2007. She is also friends with her co-stars: Georgie Henley, Ben Barnes, William Moseley, and Skandar Keynes. Since 2007, Popplewell has been a student of English at Magdalen College, Oxford. She resides in Highbury, North London.

Popplewell began acting at the age of six, taking classes at the Allsorts Drama School. She began acting professionally in the TV production Frenchman's Creek in 1998. She made her film debut in 1999 in the film Mansfield Park and has since appeared in supporting roles in films like The Little Vampire (2000) and Girl with a Pearl Earring (2003) with Scarlett Johansson. In 2001 she appeared as Victoria in the BBC serial Love in a Cold Climate. Her first major role was in the film The Lion, the Witch and the Wardrobe (2005) where she played Susan Pevensie. She has a phobia of mice, which required a double to do part of her scene at the Stone Table in The Lion, the Witch, and the Wardrobe. She reprised her role in the sequel, Prince Caspian, in which she acted with William Moseley, Skandar Keynes, Georgie Henley and Ben Barnes. The movie opened in theatres 16 May 2008. She also made a cameo appearance in the third Narnia film, The Voyage of the Dawn Treader, despite her character's absence in the book on which it is based. She was awarded the Cuppers Prize in 2007 for Best Supporting Actress in a student production of Five Kinds of Silence. In December 2007, she played Lady Macbeth in a student production of Macbeth at the OFS Studio in Oxford. In 2008 she performed as the character Wendla in the controversial play Spring Awakening.

Anna Popplewell Beautiful Smile

Anna Popplewell Narnia Costume

Anna Popplewell With Her Friends

Anna Popplewell Blue Gown

Kirsten Dunst

Kirsten Caroline Dunst (born April 30, 1982) is an American actress, model, and singer. She made her film debut in Oedipus Wrecks, a short film directed by Woody Allen for the anthology New York Stories (1989). At the age of 12, Dunst gained widespread recognition playing the role of vampire Claudia in Interview with the Vampire (1994), a performance for which she was nominated for a Golden Globe Award for Best Supporting Actress. The same year she appeared in Little Women, to further acclaim. Dunst achieved international fame as a result of her portrayal of Mary Jane Watson in the Spider-Man trilogy (2002–07). Since then her films have included the romantic comedy Wimbledon (2004), the romantic science fiction Eternal Sunshine of the Spotless Mind (2004) and Cameron Crowe's tragicomedy Elizabethtown (2005). She played the title role in Sofia Coppola's Marie Antoinette (2006), and she starred in the comedy How to Lose Friends & Alienate People (2008). In 2001, Dunst made her singing debut in the film Get Over It, in which she performed two songs. She also sang the jazz song "After You've Gone" for the end credits of the film The Cat's Meow (2001). In early 2008, Dunst confirmed she was suffering from depression, checking into a treatment center before discharging herself in March and resuming her career. Dunst was born at Point Pleasant, New Jersey, to Inez (née Rupprecht) and Klaus Dunst. She has one younger brother. Her father worked as a medical services executive, and her mother was an artist and one-time gallery owner. Dunst is of German descent on her father's side, and Swedish on her mother's. Until the age of six, Dunst lived in New Jersey, where she attended Ranney School. In 1991, she moved with her mother and younger brother to Los Angeles, California. In 1995, her mother filed for divorce. The following year Dunst began attending Notre Dame, a private Catholic high school in Los Angeles. After graduating from Notre Dame, Dunst continued the acting career that she had begun at the age of eight. As a teenager, she found it difficult to deal with her rising fame, and for a period she blamed her mother for pushing her into acting as a child. However, she later expressed that her mother "always had the best intentions". When asked if she had any regrets about the way she spent her childhood, Dunst said: "Well, it's not a natural way to grow up, but it's the way I grew up and I wouldn't change it. I have my stuff to work out ... I don't think anybody can sit around and say: 'My life is more screwed up than yours.' Everybody has their issues."

Dunst began her career when she was three years old as a child fashion model in television commercials. She was signed with Ford Models and Elite Model Management. At the age of eight years old she made her film debut in a minor role in Woody Allen's Oedipus Wrecks, a short film that was released as one-third of the anthology New York Stories (1989). Soon after, she landed a small part in The Bonfire of the Vanities (1990), as Tom Hanks's daughter. In 1993, Dunst played Hedril in "Dark Page," the seventh episode of the seventh season of Star Trek: The Next Generation. The breakthrough role in Dunst's career came in Interview with the Vampire, a 1994 film based on Anne Rice's novel, in which she played the child vampire Claudia, a surrogate daughter to Tom Cruise and Brad Pitt's characters in the film. The film received ambivalent reviews, but many film critics complimented Dunst's performance. Roger Ebert commented that Dunst's creation of the child vampire Claudia was one of the "creepier" aspects of the film, and mentioned her ability to convey the impression of great age inside apparent youth. Todd McCarthy in Variety noted that Dunst was "just right" for the family. The film featured a scene in which Dunst received her first kiss from Brad Pitt, who was 18 years her senior. In an interview with Interview magazine, she revealed, while questioned about her kissing scene with Pitt, that kissing him had made her feel uncomfortable: "I thought it was gross, that Brad had cooties. I mean, I was 10." Her performance earned her the MTV Movie Award for Best Breakthrough Performance, the Saturn Award for Best Young Actress, and her first Golden Globe Award nomination.Later in 1994, Dunst appeared in the adaptation of the drama Little Women opposite Winona Ryder and Claire Danes. The film received favorable reviews: critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, "The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933. Ms Dunst, also scarily effective as the baby bloodsucker of Interview With the Vampire, is a little vamp with a big future."

In 1995, she appeared in the fantasy movie Jumanji, loosely based on Chris Van Allsburg's 1981 book of the same name. The story is about a supernatural and ominous board game which makes animals and other jungle hazards appear upon each roll of the dice. She was part of an ensemble cast that included Robin Williams, Bonnie Hunt, and David Alan Grier. The movie grossed $100 million worldwide. That year, and again in 2002, she was named one of People magazine's 50 Most Beautiful People. In 1996, Dunst had a recurring role in the third season of NBC's medical drama ER. She portrayed a child prostitute, Charlie Chiemingo, taken under the guidance of Dr. Doug Ross, played by George Clooney. In 1997, she was the voice of Young Anastasia in the animated musical film Anastasia. Also in 1997, Dunst appeared in the political satire Wag the Dog, opposite Robert De Niro and Dustin Hoffman. The following year she was the voice of the title character, Kiki, a 13-year-old apprentice witch who leaves her home village to spend a year on her own, in the anime movie Kiki's Delivery Service (1998). Dunst was offered the role of Angela in the 1999 drama film American Beauty, but turned it down because she did not want to appear in the film's suggestive sexual scenes or kiss co-star Kevin Spacey. She later explained: "When I read it, I was 15 and I don't think I was mature enough to understand the script's material." That same year, she appeared in the comedy Dick, alongside Michelle Williams. The film is a parody retelling the events of the Watergate scandal which lead to the resignation of U.S. president Richard Nixon.

In Sofia Coppola's independent film The Virgin Suicides (1999), Dunst played the role of troubled adolescent Lux Lisbon. The film was screened as a special presentation at the 43rd San Francisco International Film Festival in 2000. The movie received generally favorable reviews, and San Francisco Chronicle critic Peter Stack noted in his review that Dunst "beautifully balances innocence and wantonness." In 2000, she played Torrance Shipman, the captain of a cheerleading squad in Bring It On. The film generated mostly critical reviews, with Charles Taylor of Salon.com writing that the film had failed to provide Dunst with as good a role as she had either in Dick or in The Virgin Suicides. However, Jessica Winter of The Village Voice complimented Dunst, stating that her performance was "as sprightly and knowingly daft as her turn in Dick. She provides the only major element of Bring It On that plays as tweaking parody rather than slick, strident, body-slam churlishness." The movie grossed $68 million worldwide. The following year, Dunst had the lead in the teen comedy Get Over It (2001). She later explained that one of the reasons for accepting the role was that it gave her the opportunity to sing. Also in 2001, she depicted the late American actress Marion Davies in The Cat's Meow, directed by Peter Bogdanovich. Derek Elley of Variety described the film as "playful and sporty," saying that this was Dunst's best performance to date: "Believable as both a spoiled ingenue and a lover to two very different men, Dunst endows a potentially lightweight character with considerable depth and sympathy." In the Esquire review, Tom Carson called her performance "terrific." For her work, she won the Best Actress Silver Ombú category award at the 2002 Mar del Plata Film Festival. Dunst is not married and has not been identified with a long-term partner. She has reportedly been involved in short-term relationships with playwright Jeff Smeenge, actor Jake Gyllenhaal, and musician Johnny Borrell of Razorlight. Dunst supported Democratic candidate John Kerry in the 2004 U.S. presidential election. Four years later, she supported Democrat Barack Obama in the 2008 presidential election. Dunst revealed that she supported Obama "from the beginning" of the presidential campaign. In support of this, she directed and narrated a documentary entitled Why Tuesday, explaining the United States tradition of voting on Tuesdays. Dunst explained that Tuesday is "not a holiday, and [the United States is] one of the lowest democratic countries in voter turnout." She felt it important to "influence people in a positive way" to vote on November 4.

Kirsten Dunst sexy pose

Kirsten Dunst cute smile

Kirsten Dunst hot pose

Kirsten Dunst beautiful face

Medium hair styles

When the hair is between styles and cannot be classified as short or long, it is often classified as a medium hair style. Are you seeking a hair length that is just right, not too long or too short? If so, than you should consider this style as it can allow the individual to create a style that comes with littler maintenance and can be styled within a matter of moments.

A medium length hair style can present some challenges when it comes to styling this length of hair. It often reaches the shoulders, or just above and can be as short as just below the ears of the individual that has been given the style.

There are many ways that people with medium hairstyles are seeking to increase the volume of their hair. The ways that you can increase the volume of the hair include through the use of backcombing the roots of the hair to increase the volume or by using specific products which have been created to induce volume within the hair. This is a great way to make the most of the hair and add bouncy curls, or even poker straight locks to style the medium hairstyles.